Miyabi (雅)
Miyabi (雅) is a Japanese word that has several different meanings. It can refer to beauty, elegance, or refinement and is one of the traditional Japanese aesthetic ideals, though not as prevalent as Iki or Wabi-sabi.
It can also be used to describe someone who is skilled in the traditional Japanese arts. In some cases, it may also refer to a person’s personal charm or charisma.
Miyabi is often used as a compliment, and it is considered to be a very positive trait.
The ideal posed by the word demanded the elimination of anything absurd or vulgar and the “polishing of manners, diction, and feelings to eliminate all roughness and crudity to achieve the highest grace.”
It expressed that sensitivity to beauty which was the hallmark of the Heian era.
Miyabi is often closely connected to the notion of Mono no aware, a bittersweet awareness of the transience of things, and thus it was thought that things in decline showed a great sense of Miyabi.
An example of this would be one of a lone cherry tree.
The tree would soon lose its flowers and would be stripped of everything that made it beautiful, and so it showed not only mono no aware, but also Miyabi in the process.
Adherents to the ideals of Miyabi strove to rid the world of crude forms or aesthetics and emotions that were common in artworks of the period, such as those contained in the Man’yōshū, the oldest extant collection of Japanese poetry.
The Man’yōshū contained poems by people of every walk of life, many of which stood in stark contrast to the sensibilities of miyabi.
For example, one poem in the collection likened a woman’s hair to snail innards. The ideals of miyabi stood firmly against the use of metaphors such as this.
Furthermore, appreciation of miyabi and its ideal was used as a marker of class differences.
It was believed that only members of the upper class, the courtiers, could truly appreciate the workings of miyabi. Miyabi in fact limited how art and poems could be created.
Miyabi tried to stay away from the rustic and crude, and in doing so, prevented the traditionally trained courtiers from expressing real feelings in their works.
In later years, miyabi and its aesthetic were replaced by ideals inspired by Zen Buddhism, such as Wabi-sabi, Yuugen and Iki.
The characters of the classic eleventh-century Japanese novel “The Tale of Genji” by Lady Murasaki provide many excellent examples of the true nature of miyabi.
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Read for freeJoost Nusselder, the founder of Bite My Bun is a content marketer, dad and loves trying out new food with Japanese food at the heart of his passion, and together with his team he's been creating in-depth blog articles since 2016 to help loyal readers with recipes and cooking tips.